Throw on your jeans, shine up your boots, and grab yourself a cold one. as we count down our picks for the top 10 country songs of all time.
Bobby McIntyre is pro Singer/Songwriter,producer and Social media marketing and website/Seo |Guru, he is also just a family man who loves to sing and write songs. His vocal range is something to take notice of. He is able to sing Randy Travis and songs as high as greats like Steve Perry and Lou Gramm and Miljenko Matijevic. His album really does not even display his complete vocal range. Bobby can also pull off multiple styles of music from pure country, R&B,pop,hiphop to all-out power ballad rock. He is also somewhat of a social media wiz kid and helps manage select artists with their music careers, as it is a passion of his to help other great talents.
Bobby McIntyre is well on his way to a successful music career! He is starting to get some International attention with his music. Bobby has been approached by many Labels, Managers and Publishing Companies that want to work with him. It is just a matter now of finding the right team. One of Bobby’s strong points is his ability to market himself to the massive online world. He creates great online friendships with other great people and artists because he is very real and does not ignore his fans. In just over a 2 years he has built a very impressive fan base that grows every day from his strong skills in marketing. His music is starting to get some airplay worldwide also and is followed by over 150 thousand fans online now. The Bobby McIntyre Country page for Reverbnation has been ranked as high as #1 Globally on the Reverb Nation Country Charts. He also reached #1 All Genres of music globally under the singer/songwriter genre out of 4 million artists. He has sang for Rascal Flatts, Clay Walker, Tracy Lawrence, Jo Dee Messina, Chely Wright and Daryle Singletary, in front of thousands of people singing the national Athem and has been a guest on many radio shows. Bobby has written songs with some of the best song writers in the world. Bobby McIntyre’s career is now just truly starting to take off. His Debut Album, “The One” is now available to purchase on iTunes. Look for great things to come from this rising star Bobby McIntyre. To book or hire Please contact Bobby at
Music is at its most powerful when it tells a story. Few things are more potent than a song that washes over the listener, each cinematic line surging with emotion and taking the audience on an unexpected journey. In the past decade, Carrie Underwood has emerged as one of the most compelling storytellers of her generation. Beyond the range and timbre of her impressive pipes, Underwood knows how to weave and deliver a delicious tale. Aptly titled Storyteller, Underwood’s fifth studio album is filled with intriguing characters and fascinating ruminations on life, death, love, and heartbreak.
“I feel like one of the things that sets country music apart from other types of music is the storytelling aspect,” the seven-time GRAMMY® winner says. “I want three-and-a-half-minute movies on the radio. I love that there’s a beginning, middle, and an end, and it all makes sense. You can follow the characters, and you can see it all playing out in your head. That’s what I’m drawn to, so that’s what I write, what I pick, and what I want to sing. All the songs on the album either are very character-driven mini-movies or they’re my own personal stories. Hopefully, both are entertaining and relatable.”
One of the most awarded singers in any genre of music, Underwood has built a stellar career on cinematic songs that pack an emotional wallop, from her first chart-topper “Jesus, Take the Wheel” to more recent No. 1 smashes such as “Blown Away,” “Two Black Cadillacs,” “Something in the Water,” and “Little Toy Guns.” Since winning American Idol in 2005, Underwood has sold 58 million records worldwide, scored 21 No. 1 hits (including 11 she co-wrote), and earned over 100 major awards. She was the first female artist to be twice named the Academy of Country Music’s Entertainer of the Year. A respected member of the Grand Ole Opry, Underwood has tallied 38 weeks at No. 1 on Billboard’s Top Country Albums chart with songs that have been streamed more than 1.5 billion times worldwide. In addition to her impressive recording career, Underwood branched out into acting with roles in film and television, including starring as Maria von Trapp in NBC’s Emmy®-winning The Sound of Music Live!, which attracted 44 million viewers. She has also launched her own fitness lifestyle line, CALIA by Carrie Underwood, which made a splash during New York Fashion Week 2015.
The Checotah, Oklahoma native’s four previous studio albums – Some Hearts, Carnival Ride, Play On, and Blown Away – have each been certified Platinum or multi-Platinum, and all have been named Country Album of the Year at the American Music Awards. In 2014, Underwood released her first hits collection, Greatest Hits: Decade #1. Storyteller has already continued that momentum with the record-breaking success of the hit first single, “Smoke Break.” “‘Smoke Break’ is all about the overworked, the tired, the people that just run to catch up,” Underwood says. “‘Smoke Break’ is about taking a step away for just a minute and being able to clear your head and collect your thoughts. We were very careful when we wrote it in wanting to make sure people understood the metaphor. That’s why we said, ‘I don’t smoke, but sometimes I need a smoke break. I don’t drink, but sometimes I need a stiff drink.’ It’s more about finding those things that take you away, whether that’s your coffee break or a glass of wine at night or your exercise or chatting with your mom. It’s that thing that is just for you, and it’s a release.”
From the small-town working mom and big-city ladder-climbing man she sings about in “Smoke Break” to the unsavory Bonnie and Clyde type couple in “Choctaw County Affair” and the spousal abuse survivor in “Church Bells,” Storyteller is populated with complex characters: an intentional effort by Underwood. “I naturally gravitate toward songs that have strong characters,” she says. “I don’t ever want to write a song or sing a song about a person that’s just there. That’s just not my style. And I feel like in the whole storytelling aspect, people are strongest when they’re pushed to their limits. When it’s do or die. Fight or flight. You’re either going to bend and come back stronger than ever, or you’re going to break. That’s why I pick songs like ‘Church Bells.’ This girl had to do something, or else she was going to pay the price. I just love songs about strong women. I love being sucked into that story: rooting for the woman and seeing that she does something powerful that she never thought she could do.”
Underwood describes the woman in “Church Bells” as “Fancy’s little sister,” referencing Reba’s iconic hit. “It’s just a cool story of a strong woman,” says Underwood of the song, which finds a poor but beautiful young girl married to an abusive, wealthy man. “In the song, she ends up killing him – which is not a new storyline for me – but again, it’s a movie in song form. The church bells do evolve. In the beginning, they represent a wedding. In the middle, they represent her needing some help after he abuses her, and at the end, the church bells represent the ones that ring out at his funeral, and she’s free. So a lot happens in three-and-a-half minutes.”
The woman in the album’s picturesque opener, “Renegade Runaway,” owes a lot to the women of the West. “She is dangerous. She’s wild. It’s not like she’s evil. She just can’t be tamed. She doesn’t need anybody to complete her,” Underwood explains. “The song has this great western Young Guns feel to it. When Hillary Lindsey, Chris DeStefano, and I were writing ‘Renegade Runaway,’ we were Googling all these belles of the Wild West. We were looking up pictures of these strong women standing there in their corsets and lace, and they had their guns on their hips. There were all of these incredible images and stories we were learning about these really strong women, and we were incorporating them into this character.”
Though the characters Underwood and her co-writers created drive a lot of action on Storyteller, the most poignant songs are those snapshots of her own life, including the tender ballad “Heartbeat.” “My husband and I are so lucky to be able to go to so many events and things,” she says. “We live our lives in the public and around people, but I’m the kind of person that just wants to be alone with him and be one on one. I don’t typically do very many love songs, but when we were writing ‘Heartbeat,’ there was something so real about it. “We live in this crazy, loud world where so much stuff is flying at us. Sometimes we just need to get back to what’s simple and what’s real.”
Another very personal song is “The Girl You Think I Am.” She says, “This is me telling my story about my dad. This is Hillary Lindsey talking about her dad. And that was David Hodges using a lot of his experience being a dad to girls. All of our personal stories are injected into this song that I hope is super-relatable on every level to others.”
The song that reflects the biggest change in Underwood’s life in 2015 is the closing track, “What I Never Knew I Always Wanted,” a celebration of marriage and motherhood that explores her feelings about her husband and their son Isaiah. “‘What I Never Knew I Always Wanted’ is definitely my story,” says Underwood. “I was pregnant at the time when we wrote it. I was never the kind of person that wanted this huge family, but the second I found out I was pregnant, it was like, ‘Oh, my gosh! I did want this. Let’s write a song about it!’ And even with my husband, I was never the kind of person that wondered, ‘Where’s my Prince Charming?’ That wasn’t me at all. But then once I met him, and we started dating, I guess I realized I was wrong. And I could admit that. I could admit that I never planned this, but it happened, and I couldn’t imagine my life any other way. Stuff like that is extremely personal, but there’s going to be a lot of people out there that relate to this song. It’s my story, and I think it’s a lot of people’s story.”
In crafting her new album, Underwood worked for the first time with producers Jay Joyce (Little Big Town, Eric Church) and Zach Crowell (Sam Hunt, Keith Urban), as well as her longtime producer Mark Bright. “I want to grow, and I want to change, and I want my music to reflect that, and I felt like I just needed things to switch up a little bit in order to achieve that.
“I’m a very scheduled person,” she continues, “and I like knowing how things are going to happen and when they’re going to happen, which is why I also needed someone that was unpredictable to me. Jay Joyce is just an uber-creative guy. One time he literally had me singing through this voice box thing, like a bullhorn. It was just a different way of doing things. Zach Crowell was somebody that was new for me to work with, as well. I had written with him a little bit, and his name kind of started poppin’ up all over songs that I was choosing, so it just kind of made sense to work with him in a production sense. I’ve been working with Mark Bright for 10 years, and we are such a great team. I knew I wanted him to work on this album. All three producers allowed me to be me. Nobody ever tried to tell me to sing it like this or do it like this. I felt like that helped with the continuity of the album. We have an album with three producers, but with each, it was about bringing out the best for every song.”
In an already distinguished career, Storyteller feels like a landmark album. It’s a milestone felt by its creator. “The Storyteller album marks the beginning of a new chapter in every way in my life and my career,” Underwood says. “Musically, I feel like I’m stronger than I’ve ever been. I feel like I’m more confident in myself as an entertainer, as a songwriter, as a singer. I’ve definitely evolved, and it’s all been very organic. The album has some songs that are a little more gritty and edgy, and others that have an R&B feel to them. Then there are these other songs that are just twangy. We brought in a lot of different elements in a way that makes the album feel fresh and new. I hope people just call it good music.”https://www.carrieunderwoodofficial.com/bio/
Bio From Official Granger Smith website.http://www.grangersmith.com/about
My name is Granger Smith. Sometimes long, fancy industry bios are helpful, but other times you just need to hear from the guy actually living it, so here’s my story.
I was born and raised Texan, and I’m proud of that. I grew up along with two brothers, a couple of yellow labrador retrievers and parents that stayed together because they loved each other. My life changed when I was 14 years old and decided I would teach myself to play guitar. This was motivated by two things: I thought the guitar would make girls pay attention to me, and George Strait played one. By the time I turned 15, I was performing weekends on small town stages in North Texas, and doing my best as a fan club member to attend every George Strait concert within driving distance. Playing high school football was an important rite of passage for me, along with hunting and fishing, but the dream of a music career consumed me. At age 19, I was satisfied with enough songs I had written to make an album. As a freshman at Texas A&M, I was able to scrape together some studio money by pre-selling the album to friends around campus. For being just a kid, that album did pretty well. It landed me a songwriting deal with EMI Music Publishing in Nashville, and the following year, I took the leap to Tennessee.
My time in Nashville was important. I absorbed the craft of songwriting from some of the best, learned my way around studios and recording gear, (which paid off for me later) and cut my teeth on countless stages as both a singer and as a steel guitar player for other singers. After four years, I had a shelf full of song demos, a little bit of music business know-how and a strong conviction to move back to Texas, finish my degree at Texas A&M, and start a band.
Moving back to College Station meant basically starting over. The gigs were hard to book and when they did, nobody showed up to watch. But I was happy and felt creative. I saved money by making albums out of my house and using my band. We wore out vehicles and went from two pickup trucks, to a suburban, to a van and then another van. The trailers we towed got bigger, and ever so slowly, so did our crowds. I learned how to use a camera and some editing software for making homemade music videos and we made lots of them.
My little brother, Tyler joined me in 2008. He traded a pretty good job at the bank to jump in an old van and sell t-shirts in honky-tonk dive bars. I think he did it not only because he shared the same vision as me, but also because his competitive nature was excited about proving a bunch of people wrong. And that’s exactly what we did. Together we conspired and worked from the ground up with the goal of not only building an artist, but a brand. We embraced social media, searched for real connections with fans, studied our predecessors and ignored our doubters. The good shows helped pay for all the bad ones, and the songs that sold helped fund all the others that didn’t. We put communities first, knowing that without the people, we were without a job.
We created alter-egos through videos to help promote the music and that’s where Earl Dibbles Jr. came from in the summer of 2011. It started as a short, funny video that my brothers and I filmed out where my parents live in Central Texas, but it turned out to be something that completely changed the shape of my career. I actually like to think of it as an “intentional accident” because as planned, the video went viral and became a huge promotional tool for my music. But we had no way to know if it would actually work, especially since many of my videos before it never caught fire.
In the early morning of April 16, 2013, I woke up and checked the iTunes store on my phone with tired eyes. I was absolutely shocked to see my new album, Dirt Road Driveway sitting at #1. Things were rapidly changing on the road, too. We were seeing sold out shows in markets we had never played, and a passion in fans unlike anything I had seen before. After independently releasing 7 studio albums, 1 live album and 2 EPs, I finally signed my first record deal in 2015. I met some great people at Broken Bow Music Group (BBR Music Group) in Nashville who sought us out, believed in my dedication and wanted to take what I was already doing, and magnify the message. We worked together not only as colleagues, but as friends unified on the same mission. Within only weeks of the signing, my debut single “Backroad Song” was a hit at mainstream country radio faster than any of us expected.
A few years ago, I was standing with my boots in red, sandy, Iraqi soil watching a beautifully majestic Middle Eastern sunset, when one of my band members asked me, “Can you believe music got us here?” No, I can’t. What a journey it has been since I decided to chase this crazy dream. We’ve played 10 countries, 3 continents, even the White House a few times, and I still can’t believe it all started with a few guitar chords. In my song called “Sleeping On The Interstate,” I wrote, “Connecting map dots like poets and prisoners, trying to live more like a lover than sinner, slave to dreams so far away.” That’s me. If there’s one thing I’ve learned from the music business, it’s that you don’t really choose this life, you are this life. That’s the truth no matter if you’re selling albums or not. I do what I love and love what I do, and there’s no sweeter freedom than that.
Hello Matt Austin, Before we get into all the amazing things you have going on right now, let’s start from the beginning! you grew up in Detroit, Michigan , can you tell us what growing up there was like for you as a kid and was music a strong influence in your family? How did you come upon your interest to be a musician?
Well, I grew up in the Metro Detroit area, in a city called Woodhaven that is about 20 minutes south of Detroit. It was cool growing up there, it wasn’t a big city, but it wasn’t rural either and if you wanted find the country roads, we didn’t have to go very far.
Music was a strong influence in my family. My Dad played guitar as a hobby and really loved music. My mom was the singer though. My Dad gave singing a good effort but it was my mom that had the voice.
Then my Uncle Gary moved in with us when I was 9 years old and he showed me this Stevie Ray Vaughan album, “Texas Flood,” and I was hooked, by the sounds and asked my parents for a guitar for Christmas.
They got me one that Christmas and everything started when I was 10 years old!
2) You have a fascinating list of musicians that have influenced your path in music. Artists like Stevie Ray Vaughan, Lynard Skynard, Eric Clapton and Jimi Hendrix. Such a variety of styles of music! you can definitely hear the rock roots in your music , what was it about these artists that captivated your interest to follow their direction in music?
I have to give credit here to my Dad again. We would rock out these artists when I was growing up. I think Country Music now has a lot of these influences in it today!
I will also add to that and say with such an influence of these Rock Icons in your music , it’s no wonder you have such a rich, solid sound that is all your own!
3) What some people may not know is that your actually the frontman for a rock band The Paper Street Saints in your early performing years, opening in Detroit area for such heavyweight acts such as Bon Jovi , Def Leppard, Styx and Tesla! those are some pretty great bands to share the stage with! What was it like to perform with these artists? you must have some memorable moments to share with us of those times.
Well, I wasn’t the front man in this band. I was the lead guitar player and I sang backing vocals. It wasn’t until after I left this band that I started to develop my own solo career as an artist.
When I opened for Bon Jovi it was at The Palace in Auburn Hills MI with Paper Street Saints and it was incredible to look out to 20,000 fans while we were playing. My Dad roadied for us when we were eating in the catering room, I nearly spilled my drink all over the table when Bon Jovi walked in the room.
When I opened for Def Leppard and Styx I was with the Matt Austin Band and this was at DTE Energy Music Theatre, formally know as Pine Knob.
This was another incredible moment for me to step on that stage to perform. My Dad used to take me to concerts here and I always wanted to perform on that stage!
4) It’s hard to imagine a hard rocker as you listen to your current playlist today, what were you doing the day the emerging new country sound caught your ear and you made the decision to turn the dial to country? This direction has proven to be highly successful transition for Canadian Country artist Dallas Smith, who has found tremendous success as a country artist .
I actually had taken a little break from the music business and was going to college for a Nursing Degree and my wife had seen Brantley Gilbert’s music video on CMT. She woke me up and told me that she thought I would be good at this type of music. I started posting some covers of me and an acoustic on YouTube and ended up getting a better response than I had ever had and it felt more natural to me than anything I’ve ever done.
5) Your music reflects feel good lyrics and catchy – crank up the volume – and thinking of your favorite memory kind of songs, are these drawn from your own personal experiences? what do you like to do when your not performing?
Some of my songs that I’ve written do reflect on my own personal experiences, and some of my songs are from songwriters out of Nashville.
It’s all about the song for me.
I was an athlete before I got in to music, so I love to try and keep my youth and stay in shape by working out, and playing basketball. I love to watch football and movies as well.
6) How does a lyric typically trigger an idea for a song? Where does the inspiration usually hit you?
There is really no specific answer for this. Song lyrics and inspirations have come from all different angles. It could be something I see on a TV show or a movie, or something a friend is doing or dealing with, or something in my life.
7) What can you tell any new listeners what to expect from one of your shows? From what I see you are definitely in your element onstage , the energy from you and your band is very infectious and the fans are truly having a great time!
Haha. Yup. You pretty much explained it all in a nut shell there. It’s hard to explain, but when we get on the stage we lay it all out on the table. There is definitely an energy in the room and the crowd can feel it too!
We just want everyone to feel good and have a great time while we are performing. More than just being a good singer, and have great songs, being able to perform and entertain is a key element to all of this!
8)Tell us some of the great Country acts you have worked with or shared the stage with in the past or upcoming shows
We have been super fortunate over the last couple of years to be able to share the stage with Lee Brice, Sam Hunt, Chase Rice, Brantley Gilbert and many more, including performing at some of the largest country music festivals with artist’s like Cole Swindell, Parmalee, Florida Georgia Line, Luke Bryan and more!
We are currently working on tour dates for 2016 to support the our sophomore single at national country radio. Hopefully fans will be able to catch us out on the road with one of these artist’s!
9) What is your favorite song to perform live at your concerts? one of my favorites is Cold One Tonight, such a great tune! but your whole playlist is fantastic!
Awe thanks so much! Ya, that’s a fun one! It’s funny because when we perform that song, even people who haven’t heard it before are singing the tag line by the end of it. I’m not sure if I have a favorite one though. I love them all in a different way.
10) You had a pretty exciting 2015 with your recent signing with Arrow Entertainment of Nashville/Seattle and a new EP being released, what were some other highlights of the year for you
2015 we have ended with a bang. We released our debut single, “Summer I’ll Always Remember,’ to country radio and it just hit #9 on the New Music Weekly Country Main Chart and close to 60 radio stations across the country have added it to rotation. We are super excited to release our next single, “Bad Feelin,” to country radio in January!
11) Your brand new EP “The Island presale is now going on with some cool insentives when you purchase , Tell us a little more about that and when the album officially becomes available in digital stores,
Ya, this is pretty cool. So the pre-release is available now on iTunes and Google Play for just $3.99 and you will get 3 songs instantly. The EP then comes out on Christmas Day, and you will get the remaining 4 songs automatically on Christmas Day! The first 250 people to get the presale and post a screen shot on social media with the hash tag #TheIslandEP get an autographed copy of my debut self-titled EP and they are entered for a chance to win a personal skype acoustic performance from me!
12) From The Island album has already released two great singles, ” The Island” and “Summer I’ll always Remember” give us a hint of what we will find when listening to the rest of the album?
For me, the hardest thing to do with this album was to pick which songs we would release as singles. Honestly, they are all so good. If you like the singles we release from it, don’t be surprised if you like the other songs on the EP even better. They literally could all be singles.
Well thanks Matt for taking the time to chat with us! We wish you and your family a Merry Christmas and a Happy New Year from us here at Country Music Weekly!
Thank you so much for chatting with me! We wish you and all your families at Country Music Weekly a very Merry Christmas and Happy New Year as well!
Years before they climbed the country charts with songs like “Stay a Little Longer” and “Rum,” the Brothers Osborne grew up in Deale, Maryland, a small fishing town on the Atlantic seaboard. It was a cozy place, filled with blue-collar workers who made their living on the water. During the weekends, many of those workers would head over to the Osborne household, where a series of loose, all-night jam sessions filled the Maryland air with the sounds of Bob Seger, Hank Williams, Tom Petty and George Jones.
The Osborne siblings strummed their first chords during those jam sessions. From the very start, TJ Osborne was the brother with the voice. He sang in a thick, low baritone, crooning like Johnny Cash long before he was even old enough to drive. Older brother John, on the other hand, was the family’s guitar shredder, his fingers capable of down-home bluegrass licks, arena-worthy rock riffs, country twang, and everything in between. Combined, the two Osbornes could play everything from traditional country music to rock & roll, creating a broad, full-bodied sound that would eventually fill the 11 songs on their major-label debut, Pawn Shop.
Like its title suggests, Pawn Shop offers a little bit of everything. There’s bluesy slide guitar, country duets, southern rock solos, harmonies, and plenty of groove. The hooks are big, the guitars are loud, and the songs — every last one of them co-written by the Osbornes, who reached out to award-winning songwriters like Shane McAnally and Ross Copperman for help — introduce a duo whose music bridges the gap between the mainstream and the alternative world. Some songs were written at home in Nashville, while others came together on the road, where the guys spent several years headlining their own club shows, touring the country with Darius Rucker, and playing some of the biggest arenas in America with fellow rule-breaker Eric Church.
“Most duos are built on singing,” says TJ “But John is an incredible guitar player, and this band is built on me singing and John playing guitar. It gives us two parallels that work nicely together.”
“It’s like an old-school rock approach,” adds John, who cites classic bands like Aerosmith and the Allman Brothers as influences on the duo’s dynamic. “Groups like that always had the lead singer as well as the sideman guitar player. That’s what we’re going for, too. We’re carving our own path in country music.”
That unique path has already led the band toward the upper half of the country charts. “Rum” got them there first, mixing the feel-good sunshine of a beach tune with a far more realistic storyline. There’s no actual beach in “Rum,” after all. Instead, Brothers Osborne turn the song into a tribute to the simple pleasures that their Maryland hometown offers: friends, good weather, and the occasional drink. They even filmed the song’s music video in Deale, filling the clip with footage of friends, relatives, and locals.
“Most people we grew up with don’t go to these beautiful beaches,” says TJ. “They can’t afford to do it. They don’t have the time for it. What we’re most familiar with is people going to the local bars and hanging out with each other.” John adds, “We tried to have the biggest time possible with what little we had. ‘Rum’ explains that.” The brothers agree, “We had to say it from our own perspective.”
A similar theme runs throughout “Dirt Rich” and “Pawn Shop,” two songs that stress the importance of appreciating what you’ve got. Pawn Shop dishes up plenty of love songs, too, from “Loving Me Back” — an old-school country duet featuring vocals from Lee Ann Womack — to “Stay a Little Longer,” the band’s biggest hit to date. While a three-minute guitar solo brings “Stay a Little Longer” to an epic, anthemic close, Brothers Osborne also devote time to more laid-back songs, from the nostalgic California country of “21 Summer” to the 420-friendly “Greener Pastures.”
Brothers Osborne, who co-produced the album with Jay Joyce (the award-winning producer behind Little Big Town’s Painkiller, Eric Church’s The Outsiders, and Carrie Underwood’s Storyteller), recorded most of Pawn Shop during breaks in their busy touring schedule, using members of their own touring band rather than session musicians from the Nashville community. The result is an album that’s stamped with the unmistakable mark of a band. It doesn’t sound like two singers, flanked by anonymous players. Instead, it sounds like a group of road warriors who’ve spent years sharing bus seats and hotel rooms, creating the sort of chemistry that can’t be faked. Pawn Shop is both raw and real, and Brothers Osborne — who, years after those household jam sessions in Deale, now have a handful of nationwide tours under their belts, songs on the charts, and a career on the rise — are no longer a family secret.
Country Music News
Thomas Rhett is staying on top of the charts with “Die a happy man” This is a fantastic easy listening country song that just feels good. Its great to see such a nice song ruling the top of the charts. Country needs a few more songs like this, and a few less whiskey drinking lets get drunk songs, not that we do not need those from time to time of course:) Everybody loves a good easy going song from time to time, whether they will admit it or not. Die a happy man for sure delivers that good old country feeling.